Despite this arsenal of technology the screen has relatively few interactive features. There are a limited number of preset modes, only standard picture and sound settings, and the blocky menu system is reminiscent of a Teletext page. Thankfully, the DVB menus are far more attractive and include a full 7-day Electronic Programme Guide (EPG) that lets you view schedules by channel, category or programme type.
Functionality may be far removed from the larger screens that would usually form the centrepiece of your home cinema system, but as a secondary set for a smaller room, the LXD60 offers all you'll need -- and fewer features mean easier operation.
Image quality
The image quality of Panasonic's LCDs is rarely questioned and the LXD60 is another impressive performer that deserves a place among the class leaders from Sharp and Toshiba -- even if it is slightly more expensive.
Digital TV broadcasts are densely defined using solid black levels to expose often absent detail and contrast. Improved viewing angles mean you can sit off-centre without losing too much colour vitality and perspective.
Even using analogue Scart or component connections, DVD images are undeniably attractive using rich colours and cohesive movement that appear instantly engaging. Accepting a 720p signal via HDMI inputs from a compatible player escalates the picture to yet another level.
High-definition quality images reveal more elaborate detail, especially in darkly lit scenes, and depth-defining contrast to create almost tangible three-dimensionality and realism. Brilliantly balanced colours are striking without appearing unnatural and movement is smooth and smear-free. Unfortunately, there's no escaping the shimmering instability of background noise and shadow gradations that occasionally effect complex scenes -- but you'll struggle to find any LCD that has totally eliminated this problem.
Panasonic's TX26LXD60 might be pricier than its immediate peers but with a future-proof specification and advanced connectivity options to equal its undoubted performance it's worth it.
Edited by Mary Lojkine
Additional editing by Kate Macefield
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