JVC LT-32DR7 review

The most important feature is JVC's latest-generation Digital Image Scaling Technology (DIST). The system incorporates numerous core and supporting components controlled by a single processor for greater speed and subsequent image quality. There are too many components to name but each one is specifically designed to enhance a variety of picture elements such as detail, movement and noise reduction. Several of the supporting systems can be turned on or off in the settings and, although it can be hard to discern the difference they make, they are best left on at all times.

As with other JVC models we've seen, on-screen menus place functionality above flair. Settings menus and the seven-day electronic programme guide that accompanies digital programmes are unimaginatively presented using dull colours and basic graphics, but they are easy to use. There is the usual choice of picture presets, of which a combination of Bright and Cool modes performs best if you prefer not to customise your own settings. Otherwise you can experiment by activating or ignoring various DIST components, but the effect on overall performance isn't obvious.

The programme guide is fast and informative, but you can only view upcoming schedules one channel at a time, which can be time-consuming. And the guide isn't supported by pictures or sound, so you can't watch while you search through schedules.

Sonically speaking, there are a couple of extra-curricular sound options. The 3D Cinema Sound mode attempts to enhance spatial ambience, but really only confuses the sound stage. The Tone Correction function does improve dialogue clarity, however, and is useful with most standard TV programmes.

Performance
We were particularly impressed with the JVC LT-32DR7's Freeview performance. The bright panel exposes surprisingly clean detail and tones down colours, which often appear exaggerated by LCDs. However, black levels appear slightly blanched by the bright panel, which means contrast doesn't compare with class-leading models and dark scenes can appear drained. This means that it looks exceptional with shows that have the glare of controlled studio lighting, but can struggle with more natural content.

Nonetheless, high-definition images look spectacular with vibrant colours, slick movement and outstanding detail. There is some occasional instability during complex scenes, but nothing that can be complained about at this price.

Unfortunately, that cannot be said of the screen's audio performance. The boomy speakers struggle to remain composed during films and it's difficult to establish a volume level between too soft and annoyingly loud.

Edited by Mary Lojkine
Additional editing by Nick Hide