Fujifilm FinePix S9500 Zoom review

What you need to know

Reviewed by: David D. Busch

Reviewed on: 12 October 2005

Tags: Fujifilm, Fujifilm FinePix S9500 Zoom, digital cameras, ports, CCD

We like:

dSLR-like handling; solid performance; long zoom range; dual external-flash connections

We don't like:

Chromatic aberration; noise-reduction artifacts at high ISOs

You might also need:

1GB CompactFlash card

CNET UK judgement:

The Fujifilm FinePix S9500 Zoom is one of the best EVF models at mimicking budget dSLR features, but it doesn't match the image quality

Full review:

Fujifilm's FinePix S9500 shows just how close digital SLR wannabes are getting to the real thing. This is one EVF-equipped camera that can compete in both the SLR and non-SLR arenas. Just a hair smaller and priced similarly to compact dSLRs such as the Pentax *ist DL, the FinePix S9500 looks and handles very much like its interchangeable-lens competitors and in some ways out-features them. It boasts a 28mm-to-300mm (35mm equivalent) 10.7x zoom lens, where most low-end dSLRs come with a skimpy normal zoom, and its 1/1.6-inch Fuji Super CCD HR sensor packs in 9 million pixels, compared to 6 megapixels for most budget digital SLRs. It has external flash connections, ISO-sensitivity settings up to 1,600, minimal shutter lag and manual focus and zoom rings around the lens, just like the genuine dSLR article. Plus, it offers decidedly non-dSLR-like features, such as 640x480, 30fps movie capabilities. So why would a photo enthusiast who doesn't need superwide or superlong lenses choose anything else? Photo enthusiasts who don't expect the best image quality at high ISO settings, are happy with a four-frame burst mode and like the S9500's zoom range will find in this camera a good combination of performance, features and dSLR-like operation. The Fujifilm FinePix S9500 also stacks up very well against other EVF superzoom cameras. But if you must have all the qualities digital SLRs are known for, you're better off with the real thing. DesignThe control layout of the 128 by 93 by 129mm, 645g Fujifilm FinePix S9500 is its most SLR-like aspect, which means it bristles with controls for a broad range of options. But not all the most frequently used settings are among them. For example, many cameras have dedicated buttons for white balance, ISO, self-timer and resolution -- on the S9500, setting those options requires a trip to the menu system. Dividing the adjustments between the Menu and Function buttons shortens the journey, but if you want to take just a few photos in raw format, be prepared for a minimum of 12 key presses. The Fujifilm FinePix S9500 lays out other controls more conveniently. The top surface includes a mode dial with the enthusiast-favoured MASP (Manual, Aperture/Shutter Priority, Programmed) options plus Motion Picture, Auto and five scene modes, including Anti-Blur, Natural Light, Portrait, Landscape and Night. Dedicated keys for exposure compensation, flash and burst mode dot the top panel and work in conjunction with an onscreen menu and a command dial just behind the button array. A shutter release with a concentric on/off/review/recording dial sits on the comfortable handgrip. The hump where the pentaprism would reside on a dSLR hosts a pop-up electronic flash and a hotshoe for an external speed light. A second flash connector resides on the front of the S9500 in the form of a standard PC (short for shutter pioneers Prontor-Compur, not 'personal computer') terminal. Also up front are an external autofocus sensor and a brilliant green autofocus-assist lamp. On the left side sit the USB, A/V and DC-power ports, a dial for switching between single AF, continuous AF and manual focus (with a one-touch autofocus override button), and a key to activate Macro and Super Macro modes. An Info button displays a histogram and status information about current settings, including white balance, contrast and flash compensation. A Disp button on the back of the camera cycles through additional status information, such as shutter speed, f/stop, ISO and so on, a rule-of-thirds grid, and other data. Those who want to keep tabs on the CompactFlash or xD-Picture memory card in use, the zoom setting and other minutiae will love the info. We found the text display cluttered and switched it off most of the time. The 118,000-pixel, 46mm (1.8-inch) double-hinged LCD flips out from the back panel for waist-level or overhead viewing, but we preferred the dioptre-correctable eye-level EVF, with its smoother-looking 235,000-pixel resolution. Both LCDs show virtually 100 per cent of the picture area. To the right of the Function and Disp buttons sits a four-way cursor pad with embedded Menu/OK button. Pressing it up and down activates and cancels the 2x digital-zoom feature. Another dial chooses 256-segment evaluative, centre-weighted, or spot metering. Other features include an exposure-lock button, a selector to switch between the EVF and the LCD, and a handy focus-check button that enlarges the centre portion of the image to make it easier to focus. Continue Reading...