Performance
As long as you don't need pro-sport-speed
continuous-shooting performance, the D700 is quite fast -- just slightly
slower than the D3 on occasion. From power on to first shot takes less
than 0.2 seconds. To autofocus and shoot in good light takes 0.3
seconds, and in dim light only 0.6. Shared with the D3, that's
class-leading performance. Two sequential shots take about 0.5 seconds,
even with flash, like the D300. The one aspect that the D700 cedes to
the competition is its 4.9fps burst rate, though it's more than
adequate for most situations. If necessary, you can splash out on the
Furthermore, with the same AF system as the D300, the D700 delivers fast, accurate focus, even in low light. Disappointingly, though, the viewfinder delivers only 95 per cent coverage -- this is odd, given that both the D3 and D300 both provide 100 per cent visibility. The D700 also lacks interchangeable focusing screens, which many of its competitors offer.
Unsurprisingly, the D700 delivers great photo quality. With a really good lens the photos are very sharp, and the camera renders excellent exposures and a broad dynamic range. Both visually and by the numbers it exhibits first-rate colour accuracy, though it seems to have somewhat glitchy automatic white balance under tungsten lights. It has a robust noise profile as well -- photos show no degradation until about ISO 6,400, and are still quite usable up to ISO 12,800, depending upon subject matter. As for ISO 25,600, they're not as bad as the Canon EOS 50D's at that level, but it's very much an emergency-only option.
The only possibly significant drawback to the Nikon D700 is its
resolution. If you ascribe to the no-scaling school of printing, then
the largest 300dpi print you can get out of its 12-megapixel files is a 360x240mm, and moving up to 280x400 requires 15.8 megapixels (though on an
Epson at 240dpi you can cover 280x400 at 12 megapixels). Also, at that
resolution, its prime competitor is the veteran and now less expensive
(Smaller bars indicate better performance)
| Time to first shot | Raw shot-to-shot time | Shutter lag (dim light) | Shutter lag (typical) |
(Longer bars indicate better performance)
Conclusion
Compared with the 5D, the
D700 has greater latitude, a better AF system, and a more modern
feature set. On the other hand, Canon arguably has a more comprehensive
full-frame lens lineup with more options at midrange prices. And, of
course, if you want the movie capture, your full-frame options are
limited to the 5D Mark II at the moment. Otherwise, the D700 is a great
full-frame camera for professionals and prosumers.
Additional editing by Cristina Psomadakis
User reviews1
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JamieCampbell 18 March 2011
Good: Incredible ISO, Full frame, Big LCD screen with cover, Works with any lens, Well structured menu, Long-lasting battery
Bad: Heavy, Minimal software, Need to use Nikon Software to do download pics (unless you use a CF reader)
Comment: I've been shooting for over 30 years, shooting Nikon, Canon, Leica and Olympus. I'm a believer that the photographer is far more important than the camera, and I can pretty much get great results from any camera. But this camera simply stands out from the pack. It is nearly perfect. And I say that as someone who usually gets professional cameras.
After living with this camera for 9 months, I have lost all desire for any other camera. I'm a gear-head and love to get my hands on new equipment. I love getting new cameras and always figure out what I would improve on it. But this camera just does everything and I (this amazes me) just don't care what else they come out with. The feel, the controls, the image quality and overall performance is simply amazing. It is nearly perfect - so what are the "flaws"?
Well, I wish I could lock the shooting banks. The camera lets you set it up and store your settings in a "bank". This lets you rapidly change to a particlar bank to load your settings. You might have one bank set for sports, another for night time shooting, another for multi-flash lighting, etc. The flaw? Any change you make changes the bank. So your bank changes as you change the camera. That nearly wrecks shooting banks for me. The workaround is to set your banks, then save them to a CF card (I use that old 1GB card I had laying around). Before a shoot, I pop the card in and reload all the settings. I just with I could lock the banks and not have to carry that card around.
And you can't combine the mirror-up mode with the self timer. You either have to use a remote release (another thing to carry) or let it time out (it fires after 30 seconds with the mirror up).
That's pretty much it. Well, it is not cheap, but considering you get the same performance as the Nikon D3 for half the price, this is an amazing deal.
If you want a suggestion, consider this camera with the Nikkor 85mm f/1.4 AF-D. This combination makes some jaw-dropping images and every girl loves it.
*** P.S. If you will buy this camera I suggest at: amazon.co.uk/dp/B001BYMC5K/?tag=reviews.cnet.co.uk-21
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