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Sony Cyber-shot DSC-H5 review

In this review

Performance
While by no means slow, the Sony Cyber-shot DSC-H5 lagged a little behind the Cyber-shot DSC-H2 in most cases. The DSC-H5 took 2.7 seconds to power up and capture its first shot, and time between shots thereafter was 1.8 seconds. Flash increased the shot-to-shot time to 2 seconds.

Burst mode captures up to five fine-quality JPEGs at about 1.3fps. Stepping down to VGA resolution raises the number of shots captured to 100, though the speed remains 1.3fps.

Image stabilisation worked well, letting us shoot between one and two stops lower than we normally would in handheld use. We shot a stationary subject at 1/125 second with the lens zoomed out to its 432mm equivalent and came away with a sharp image.

Focusing was quick in bright and moderately dim light with the autofocus-assist light turned on. Like most cameras in this class, it slowed noticeably in very low light. If you plan on using the EVF to focus manually, you'll be happy to know that it has a diopter to compensate for shooters with not-so-perfect vision.

Shooting speed
(Shorter bars indicate better performance)
Typical shot-to-shot time   
Time to first shot   
Shutter lag (typical)   
Canon PowerShot S3 IS
1.7 
1.5 
0.4 
Panasonic Lumix DMC-FZ4
1.1 
2.8 
0.5 
Kodak EasyShare P850
1.7 
4 
0.6 
Panasonic Lumix DMC-FZ7
1.5 
2.8 
0.6 
Sony Cyber-shot DSC-H5
1.8 
2.7 
0.6 
Note: Measured in seconds

 

Continuous-shooting speed
(Longer bars indicate better performance)
Typical continuous-shooting speed   
Kodak EasyShare P850
3.6 
Panasonic Lumix DMC-FZ4
2.7 
Canon PowerShot S3 IS
1.5 
Panasonic Lumix DMC-FZ7
1.3 
Sony Cyber-shot DSC-H5
1.3 
Note: Measured in frames per second


Image quality
Photos from the Sony Cyber-shot DSC-H5 had natural, accurate colours that were neither over- nor undersaturated. As with the Cyber-shot DSC-H2, manual white balance provided the most neutral results with our tungsten test lights, while the tungsten setting came a close second. The auto setting turned in slightly warm photos with our lights, though it did a good job in daylight. Exposures were generally accurate. Very modest purple fringing turned up in high-contrast areas, but it was less prevalent than in shots from the DSC-H2.

Noise results were very similar to those of the DSC-H2. At ISO 80 and ISO 100, the DSC-H5 kept noise under control. By ISO 200, it became noticeable, but wasn't a problem. It was very prevalent at ISO 400, and at ISO 800 and ISO 1,000, the images were unfit to print. The 640x480, 30fps video had an admirable amount of detail and pleasing colours for a still camera in this class.

For the majority of amateurs, Sony's Cyber-shot DSC-H5 is a competent megazoom, with a bevy of features and healthy compliment of accessories to keep them interested for a long time. Picky photographers will want to steer clear of the higher ISOs, but that's true of most cameras in this class.

Additional editing by Kate Macefield

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