Samsung says the WB500 has the world's first 24mm ultra-wideangle lens with a 10x zoom. But Panasonic's Lumix DMC-TZ6 has a 25mm 12x zoom, so we're talking fractions here. It pays not to get too taken in by headlines and specs. Still, for around £200, the 10-megapixel WB500 does look like a pretty good deal.
We like the TZ6, which is something of a benchmark for compact superzooms, so the WB500 has plenty to live up to. It's a good deal chunkier for a start and doesn't have the TZ6's high-quality feel, but it's easy to grip and there's more room for the controls.
These include a rather neat 'command lever' on the back that can be used to apply EV compensation in tricky shooting conditions or, if you dip into the set-up menus, you can configure it to adjust the ISO or white balance instead.
On the top of the camera, the mode dial shows off another feature the TZ6 doesn't have -- a manual exposure mode. Admittedly, there are only two lens apertures to choose from, but it's something.
In fact, this is a pretty well-equipped camera all round. It starts up quickly, the autofocus and zooming speed are fine, and the LCD is really crisp and clear. If you want to mess with the settings, you press a Fn button on the back that calls up a menu for adjusting image size, focus area, metering mode, drive mode, ISO, white balance and face detection (this includes smile and blink detection). This takes care of almost all everyday settings. But, if you want to try out the auto contrast balance, you'll need to go to the main menus, which is a pain. This feature brightens up dark shadows in high-contrast scenes, and is handy if you're shooting indoors with a bright window in the background, for example.
On a practical note, like other Samsung cameras, the WB500 can be charged from any powered USB port, or using the bundled mains adaptor.
The zoom range is handy rather than earth-shattering and, while the silver buttons and directional controller look smart, they're rather thin and slippery and the engraved markings aren't easy to see if the light's not right.
The main problem, though, is the WB500's rather lacklustre image quality. Overall exposure and colour rendition aren't a problem -- it's the fine detail that lacks something. Samsung says its new DRIM processing engine virtually eliminates artefacts and digital noise, but it does a pretty good job at suppressing subtle detail generally. Let's say you're photographing a distant line of trees in a landscape shot. The trees themselves will stand out crisply against the sky, but, if you look closely, you'll see that foliage itself has very little texture or detail.