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Panasonic Lumix DMC-TZ20 review

Our rating

4.5 stars out of 5

User rating

2.5 stars out of 5

See all 17 user reviews

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Verdict

The Panasonic Lumix DMC-TZ20 compact superzoom is expensive. But its high-quality images, long zoom range, HD movie features, GPS, and touchscreen mean you certainly get plenty of camera for your money.

Good

  • Versatile 16x zoom lens
  • Tonnes of useful features, including GPS
  • 1080i video recording
  • Attractive design

Bad

  • Touchscreen controls take some getting used to
  • Battery life could be better

The Panasonic Lumix DMC-TZ10 was one of our favourite compact superzooms of last year. Beef up the resolution by a couple of megapixels, increase the zoom range, add yet more clever gadgetry, and what have you got? The Panasonic Lumix DMC-TZ20. It's not cheap, at around £300, so let's find out if it's worth saving up for.

Tough act to follow

Put the TZ20 next to its predecessor, and you'd be hard-pressed to tell them apart. In fact, there's only one design change that makes any real practical difference -- the dedicated video button has moved from the rear of the unit to a slightly more convenient position on the top edge.


The TZ20's colours are rich but realistic. There's plenty of detail in this shot too (click image to enlarge).

In terms of specs, though, the TZ20 is quite a significant improvement on the TZ10. For a start, there's a new 24mm ultra-wide-angle Leica DC Vario-Elmar lens with a staggering 16x optical zoom. The new lens goes further width- and length-wise than the 12x zoom lens on the TZ10.

The image sensor's resolution, too, has been increased from 12.1 megapixels to 14.1 megapixels. It's also interesting to see that Panasonic has decided to switch from a CCD-type chip to a CMOS sensor instead, which should improve the picture quality, particularly when it comes to filming video clips.

Movie quality has been ramped up to 1080i at 50 frames per second. The TZ20 uses the same AVCHD format to record video as proper, grown-up camcorders, and the camera's zoom and image-stabilisation features are both available during filming. Stereo sound recording and an HDMI output make this an attractive package for film makers.

Built-in GPS is, once again, a notable feature, allowing you to record the co-ordinates where a shot was taken, for example. Panasonic rounds out the TZ20's abilities with a 3-inch touch-sensitive LCD panel and 3D photo-capture capability. All in all, the TZ20 is a highly impressive assemblage of cutting-edge technology.

The shape of things

Available in blue, red, black and silver, the TZ20 isn't the slimmest or lightest camera in the universe. But it's still quite an achievement to cram so much into such a relatively small space.


The TZ20 has a touchscreen, but Panasonic's still retained most of the physical controls.

In terms of its interface, the TZ20 is a curious blend of the traditional and modern. Despite the touchscreen, Panasonic has left most of the physical controls intact. The on-screen menus are navigated by scrolling and selecting using an old-fashioned five-way pad, for example. You can tap the screen to focus, however, and -- if you really want to -- you can zoom using an on-screen control rather than the top-mounted rocker. It's by no means an awful control scheme but it certainly takes some getting used to and the touch element doesn't have the instantly intuitive qualities of, say, the iPhone.

Ten different shooting modes are available, including 'intelligent auto', program AE, 3D, and aperture or shutter priority. There are also customisable scene modes and a full manual setting. These can all be selected via the top-mounted mode dial. Once you've chosen your mode, you can change other settings via the touchscreen, as required.

There are plenty of useful automatic features, such as face detection, red-eye correction, scene selection and so on. The autofocus and other automated settings are quick to adapt too, allowing the device to operate effectively as a shoot-from-the-hip camera. Conversely, enthusiasts will appreciate the wide range of manual settings, effects and tweaks that can be employed and adjusted with relative ease.

Quick on the draw

The TZ20 is fast. It's able to shoot about 2 seconds after you flip the power switch. There's barely any lag between shots, although, if you flip to playback mode straight after you've taken a photo, you may find the camera is still writing data in the background. The camera can capture a zippy 10 frames per second in the continuous-shooting mode.


The GPS features and long zoom make the TZ20 ideal for anyone who does plenty of travelling (click image to enlarge).

Shots taken outdoors in the daytime look fantastic. They're punchy, yet offer well-balanced colours and strong contrast. The TZ10 can pick out detail across areas of light and shadow. There's some distortion with the lens at the wide-angle setting, and a small amount of purple fringing in high-contrast areas, but both of these fall well within the norm for a top-end compact.

Sharpness freaks may wish to take the edge off the softness slightly using their image-editing tool of choice. For most people, however, the TZ20's rich, warm image quality will be instantly appealing.

The camera's low-light performance is as good as that of many of the better compacts we've seen recently. Full-resolution, non-flash pictures can be taken at ISOs of right up to 1,600 without too much noise appearing. Still, we found the optimum setting to be ISO 400 or less. Blurring is suppressed by the camera's good optical image stabilisation.

The TZ20's video recordings are a cut above those of most other still cameras. Perfectionists probably won't want to leave their dedicated camcorders at home, but the 1080i quality is ideal for family outings, holiday clips and so on.

The 3D function borders on being a gimmick. The camera doesn't have two lenses, so it takes a series of photos as you pan and then combines the most suitable pair into a 3D composite. You can't view these images back on the screen Nintendo 3DS-style, so you'll need a compatible TV or computer to see them at all. If you have all the requisite hardware and a firm belief that 3D is the future, this feature could be of interest.

The TZ20's main weakness is its battery life. The supplied power pack is good for around 260 pictures, which is 40 less photos per charge compared to the TZ10.

Conclusion

The Panasonic Lumix DMC-TZ20 improves on its predecessor in just about every regard, besides battery life. It's highly versatile, and can capture stunning portraits, landscapes, action shots, videos and more.

You should definitely check out the TZ20 if you're either a gadget nut who wants all the coolest features and strong performance in one device, or an adventurous type who needs an adaptable travel snapper, complete with GPS. Otherwise, we'd suggest thinking about how much you're actually likely to use the TZ20's features before you cough up £300.

Edited by Charles Kloet 

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User reviews17

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Cashton's avatar
1 star out of 5

Cashton 14 July 2012

Good: Video

Bad: Cannot take low light pictures with flash

Comment: I have had a tz5, tz7 and a tz10, when compared with either of these in low light situations the tz20 is rubbish. It is really upsetting after having 3 previous tz's to end up with such a poor quality (picture wise) camera. I'm looking at other makes in order to change. NO help from Panasonic with my problem

I own it
Andrew Purser's avatar
2 stars out of 5

Andrew Purser 1 July 2012

Good: Compact, Long zoom.

Bad: Very poor image quality

Comment: I have owned this camera for a while now. Some of the images obtained from the camera are very poor indeed and much worse than the TZ10 I used to have. It is only to be used in good light conditions - whilst that may be true of many compacts, this one is particularly bad. Thankfully, the TZ30 is a big improvement.

I am currently looking to change my camera again.

I own it
b.mahesan's avatar
2 stars out of 5

b.mahesan 26 March 2012

Good: good advertisement

Bad: poor panasonic service

Comment: please review the products not only camera and its feauters, also include the accessories supplied along with the camera.

dec 2011 , myself purchased this camera from netherlands, and only 3 sample pictures were made there, received the camera in india during feb 2012 charged the battery once and made around 100 photos and few videos, the battery drained.

when i connect the charger for charging the battery 2nd time only, the charger failed to work, supply volts are not the problem, because the chrger supplied with another Sony camera purchased from netherland in the same time is is working well in india, more over myself being a service engineer of textile machinery in a europian MNC knows all these basics.

Now i am unable to charge the battery, and so unable to use the camera and purpose of puchaseing the new camera was not served, force to use my old Sony camera for my regular use.

Panasonic USA and Uk responded for my complaint eventhough they are not involved where as mails to other panasonic mail ids bounced back. Based on Forwarding from USA panasonic some calls received from panasonic india given some service center address in india to the nearest city Pune, where the service people expressed unability to repair or replace.

From panasonic no steps or follow ups noticed. Our electrical engineers may be corrected the problem but the charger is sealed and use and thro.china make.

If a fool proof system sealed then it is acceptable. Here a new product failling at the second time useage was found sealed.

The original charger cost ~ 20 to 25 euro in amazon.de, my mind is not accepting to spend this against a newly purchased one and what is the sureity for working when the earlier one fails during its second time use.

panasonic site not having any mail ids to inform such problems .

If anybody guided how and to whom i have to contact in panasonic japan(the camera made in japan and myself insisted while bying since my Minolta japan camera working more than 15 years, even today).
i would be thankful.











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