Performance
Overall, the V1253 is a pretty peppy performer, with decent automatic face detection, little shutter lag (other than a slight increase in AF time under low light), good shot-to-shot time even with the flash, and about 2.5fps continuous shooting.
On the other hand, the camera can capture only 3 frames in burst mode, which almost defeats the purpose of having a good capture rate. It wakes and shoots in a hair less than 2 seconds. Under optimal conditions it takes only 0.4 seconds to focus and shoot, and that rises to only 0.8 seconds in lower-contrast conditions, quite good for its class. From shot to shot, it runs only 1.2 seconds, increasing to 1.6 seconds with flash -- also quite good.
(Shorter bars indicate better performance)
| Time to first shot | |
Typical shot-to-shot time | |
Shutter lag (dim light) | |
Shutter lag (typical) | |
(Longer bars indicate better performance)
N/A
Its 3x optical zoom, with a 35mm-equivalent focal range of 37mm-111mm, is a little slow both in its five-step physical zooming speed and narrow f/3.4-to-f/5.3 maximum aperture. The lens delivers fairly good edge-to-edge sharpness, but beware of vignetting and barrel distortion at wide angle.
Image quality
There's no optical image stabilisation; instead, Kodak opts to deliver faster shutter speeds by raising the ISO sensitivity, at the expense of image noise. Your best bet is to keep the ISO sensitivity at 400 or below, although you can still make small prints at ISO 800. Image noise, blurring and artefacts are especially noticeable when raised above ISO 800 (the V1253 starts at ISO 64 and maxes out at ISO 3,200).
The camera stops just short of oversharpening images although you can dial back the sharpness in the shooting menu. And it has a tendency to blow out highlights. But colours are well-saturated and should please most snapshooters.
Conclusion
If you've got your heart set on a 12-megapixel camera -- and unless you're printing larger than 254x203mm (10x8 inches) or cropping in very tightly, you might want to scale your sights back to a lower-resolution model with optical image stabilisation, such as the comparably priced
Additional editing by Shannon Doubleday