For the DCR-SR100, Sony couples its 3-megapixel HAD CCD with one of the better Zeiss T* lenses. It uses 2 megapixels to capture video before downsampling to 720x480 (16:9) or 640x480 (4:3), and snaps 3-megapixel still photos in both 16:9 and 4:3 aspect ratios.
You'll find the typical array of Sony premium-priced features in the DCR-SR100, such as Super SteadyShot hybrid image stabilisation, NightShot and Super NightShot infrared modes, and a four-channel microphone for Dolby 5.1 Surround audio recording. With an optional mic, you can capture centre-channel sound. The hotshoe can also accept a flash/video light, to replace the SR100's built-in lamp.
Performance
Despite these upmarket capabilities, however, the Sony Handycam DCR-SR100 is more suited to the point-and-shoot crowd than to the prosumer set -- those more likely to push the Easy button than to dive into the menu system for a handful of scene modes or fingertip-dexterity-dependent exposure adjustment, spot focus and spot metering.
Fast power-up, responsive zoom operation, and generally zippy autofocus contribute to the Sony Handycam DCR-SR100 's fluid performance. The camcorder begins recording within a second of pressing record and imposes only minor shutter lag when shooting still photos. The autofocus and autoexposure adjust quickly to changes in subject, illumination or zoom -- the only exception is in dim light, where the autofocus seems to glide rather than snap into focus. Unfortunately, the touch screen itself is awkward to use and isn't as bright as some camcorders' LCDs.
When activated, SteadyShot reduces considerable amount of jerkiness and shake throughout the zoom range and doesn't get confused by panning. However, the stabilisation becomes borderline effective at the full 10x -- if you're shooting after a caffeine fix, you might want to mount it on a tripod before zooming in for a close-up.
As with most Sony cameras and camcorders, the DCR-SR100 uses an InfoLithium battery that displays how much power it thinks is left and how much longer it can shoot. Sony claims a battery life of more than two hours for the SR100, but in typical use, you can expect slightly shorter life. We suggest you stock an extra battery and watch the battery meter.
There's a lot to like about the Sony Handycam DCR-SR100's video, though there's room for improvement as well. The picture looks soft when zoomed out but gets sharper as you zoom in -- by 10x, it's extremely sharp, with no visible compression artefacts. Colours are saturated, though the auto white balance renders them a bit cool outdoors and slightly warm indoors. Dynamic range is typical of a single-chip camcorder, with little latitude in the shadows and highlights, resulting in muddy greys for the former and blown-out, flat whites for the latter.
The DCR-SR100, however, generally produces very low-noise, artefact-free video, even in low light. So far, we've seen better MPEG-2 footage from only the 3-chip JVC Everio GZ-MG505. It's also better than that of the Sony Handycam DCR-DVD505's, with far less edge crawl.
Image quality
Though the DCR-SR100's 3-megapixel photos are adequate, they have that odd combination of softness and oversharpening that produces edge halos and other disturbing artefacts that appear on close inspection. But they're fine for Web sites, email or small prints. The Sony Handycam DCR-SR100 isn't a true digital camera replacement, but it does the trick if you just want an occasional snapshot, and you're not too picky about quality.
Edited by Jim Hoffman
Additional editing by Kate Macefield
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bigpapanoodle 26 February 2008
Good: Comfortable to handle, viewfinder
Bad: Not much really
Comment: Had been looking around for a long time for a hard-disc camcorder. I was at the end of my tether with my old JVC tape dinosaur - too many golden moments lost to waiting for the tape to load up then record. Worst of all, I kept getting error codes and then it would freeze up.
My first impression was how well it fitted my hand. So comfortable! Your hand was designed around this with all the buttons in easy reach of either your thumb or forefinger. Next thing was how quickly after switching it on it was ready to shoot. Press the toggle switch once and you are ready to start recording video. Press it again and its ready to take a still photo. Once again and you are in playback mode. Again and you are back to where you started...simple.
The colour viewfinder was always on my list of "must haves" and this was another deciding factor in choosing this camcorder. Nice to have the option of choosing screen or viewfinder I always feel.
The camcorder records to the MPEG2 format which can be a bit awkward to edit. The bundled software allows you to cut out unwanted scenes but not much more than that, sadly. I have managed to edit a short video in Windows Movie Maker but that is better suited to .avi files. Tended to get many screen freezes.
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